a symbolic and an imaginary space
a bookmark intervenes within these spaces
adding a residue of lived moment
it divides and assembles &
intertwines narratives
| L. Bacher | Shit for Brains | p.22-23 |
| J. Joyce | Portrait of the Artist as a Young Man | p.107-108, 367-368 |
| H. Selby Jr. | Last exit to Brooklyn | p.42-43 |
| A. Huxley | Brave New World | p.0-1 |
| O. Laing | The Lonely City | p.158-159 |
| H. Hesse | Het Kralenspel | p.28-29 |
| H. Hesse | Steppenwolf | p.76-77 |
| H. Hentworth & S.B. Flexner | The pocket dictionary of American Slang | p.218-219 |
| G. Flaubert | Madame Bovary | p.186-187 |
| B. Dewulf | Verstrooiingen | p.52-53 |
| Z. Herbert | Collected Poems 1956-1998 | p.196-197, 294-295, 324-325, 595-596 |
| P. Auster | Trilogie New-Yorkaise | p.190-191 |
| G. Perec | La Vie Mode d’Emploi | p194-195 |
| D. F. Wallace | A Supposedly Fun Thing I’ll Never Do Again | p.226-227 |
| A. Cohen-Solal | Jean-Paul Sartre | p.516-517 |
| J.P. Sartre | De wegen der vrijheid | p.788-789 |
| N. Bourriaud | Relational Aesthetics | p.84-85 |
| J. Rancière | De toekomst van het beeld | p.64-65 |
| Studio for Propositional Cinema | Myths and Manifestos | p.6-7, 12-13, 16-17,.26-27 |
| D. Graham | NUGGETS | p.96-97 |
| B. Groys | In The Flow | p.158-159 |
| A. Rorimer | Michael Asher Kunsthalle Bern | p.0, p.105-105 |
| M. Van den Abeele | Forked Apologies | p.102-103 |
| J. Strau | A Dissidence Coincidence but W.H.C.T.L.J.S. | p.7-8 |
| M. Szewczyk | Meaning: Liam Gillick | p.128-129 |
| A. Sillman | Faux Pas | p.186-187 |
| D. Wojnarowicz | Close To the Knives | p.150-151, 160-161 |
| D. Wojnarowicz | Weight of the Earth | p.54-55 |
| L. Cantor & C. Jahn | Turning Inward | p.86-87 |
| K. Goldsmith | Wasting Time on the Internet | p.0 |
| A. Carson | Eros and the Bittersweet | p.150-151 |
| L. Robertson | A Simone Weil Project | p.98-99 |
| K. Acker | Blood and Guts in High School | p.44-45 |
| G. Bataille | Story of the Eye | p.12-13, 54-55 |
| K. Acker | New York City in 1979 | p.26-27 |
| T. Burr | Anthology: Writings 1991-2015 | p.92-93 |
| W. Swennen & H. Theys | Ne Quid Nimis | p.228-229 |
| H. Oiticica | DANCE IN MY EXPERIENCE | p.114-115 |
| C. Kraus After Kathy Acker | p.280-281 | |
| lost reference |
| J. Lacan | Le Séminaire livre XI | p.78-79 |
| B. Fink | Lacan on Love | p.140-141 |
| P. Jean Jouve | Hécate & Vagadu | p.100-101 |
| P. Fédida | L’absence | p.200-201 |
| H. A. Rosenfeld | Etats Psychotiques | p.258-259 |
| R. Roussel | La Vue | p.12-13 |
| R. Roussel | Comment j’ai écrit certains de mes Livres | p.23-24 |
| M. Leiris | à cor et à cri | p.32-33, 70-71 |
| M. Leiris | Langage Tangage ou ce que les mots me disent | p.132-133 |
| P. Klossowski | Tableaux Vivants | p.90-91 |
| J. Rée | I See a Voice | p.218-219 |
| A. Zupancic | Let The Rot: Antigone’s Parallax | p.54-55 |
| J. Copjec | Cloud: Between Paris and Tehran Kiarostami/Corbin/Lacan | p.90-91, 148-149 |
| S. Beckett | More Pricks than Kicks | p.46-47 |
| S. Beckett | Company/Ill Seen Ill Said/Worstward Ho/Stirrings Still | p.64-65 |
| L. Janvier | Samuel Beckett | p. 128-129, 152-153, 158-159, 180-181 |
| S. Beckett | L’Innomable | p.10-11 |
| J.L. Borges | The Aleph | p.140-141 |
| H. Hentworth & S.B. Flexner | The pocket dictionary of American Slang | p.16-17 |
| J. Tang & A.E. Butler & L. Gangitano | The Conditions of being art: Pat Hearn Gallery & American Fine Arts, Co | p.212-213 |
| P. Bernard & E. Jaret & P. Thomas & S. Wagnier | The Agency | p.28-29 |
| A. Vaillant | Sur un lieu commun et autres textes | p.316-317 |
the bookmarks have been archived from Diane Copeley’s library. the first session in 2023, the second session in 2026.
